Drawing: Andy Murray

Andy Murray

Win his match today against Rafa Nadal at the ATP World Tour Finals in London and British tennis ace Andy Murray will guarantee a year-end number 2 ranking and almost certainly book a semi-final spot.This all means that he will not be able to leave before Saturday evening or Sunday if he makes the Final. Why is this significant? Because he happens to have a Davis Cup Final against Belgium at the Flanders Expo in Ghent five days later, which will be played on clay and not the hard-court surface at the O2. Obviously having more time to practice on the ‘red dirt’ would be advantageous but I guess he’ll see plenty of it since he is likely to play on all three days of the premier international men’s teams event in order to win his first Davis Cup and Britain’s first since 1936. He trails Rafa 15-6 in the head-to head over eight years, but did beat him on the Spaniard’s favoured clay in Madrid in their only match this year. Their 2010  three-set semi was a real cracker with Rafa winning on the close final set tie-break. Given the one-sided matches at the Finals this year, which one sports writer called a ‘lingering malaise’, everyone’s hoping for a repeat of their match five years ago. Andy signed this sketch for me on his way into the O2 to practice last Saturday.

Drawing: Richard Gasquet

Richard Gasquet

It’s been a good year for Richard Gasquet. France’s top tennis player is currently number 9 in the world rankings with one of his highlights, reaching the semi-finals at this year’s Wimbledon Championships. While known as an all-court player with some crafty drop shots, it is his single-handed backhand that is his signature shot.

Graceful, efficient and effective, it is considered one of the best ever. While not in the main draw at this week’s ATP World Tour Finals at the O2 in London, Richard is the first alternate and is at the event in case one of the top 8 are injured. For a few seconds the friendly Frenchman used his classy right hand to write a signature shot on my sketch.

Drawing: John Isner

John Isner

American tennis star John Isner is one of the biggest names in the game. Standing at 2.08 metres, that’s nearly 7 foot in old money and a massive serve, recorded at over 241 km/h is BIG by anyone’s definitions.

My annual pilgrimage to London’s O2 for the ATP World Tour Finals had extra purpose this year. I was after John to sign this sketch commemorating one of the great matches in tennis history. At the 2010 Wimbledon Championships he defeated NIcolas Mahut in a five-setter that lasted 11 hours 5 minutes over 2 days in the longest professional match ever. John managed to win the final set 70-68 to end the gruelling marathon. I was very keen to see him secure a place at the year-end event that involves the top eight men’s players plus two alternates. John was ranked at number 11.

Astute arithmetic exponents will deduce that he misses out. However I was grateful to Frenchman Jo-Wilfred Tsonga, who, ranked at number 10 declined the second alternate slot, and John accepted.

I popped down to the O2 yesterday and it wasn’t difficult to spot him. I even managed to get Nicolas Mahut’s graph to complete the set.

Drawing: Na Yeon Choi

na yeon choi

Continuing my sketches of South Korean outstanding women golfers is Na Yeon Choi.

The 28 year old is currently ranked 18th in the world and won the 2012 US Open – her first major championship. She was also runner up in the British Open the following year. She signed my sketch at this year’s event at Turnery in Scotland.

Drawing: So Yeon Ryu

so yeon ryu

Ryu So-Yeon is also known as So Yeon Ryu and is also known as one of the many, many top women’s golfers from South Korea dominating the LPGA at the moment.

Currently ranked 5th in the world, she won the US Open in 2011 and finished third at this year’s British Open at the Trump Turnberry Course in Scotland, where she signed my sketch for me.

Drawing: Rolan Bell in Memphis

Rolan Bell
Some things take time…and six attempts, but I eventually got Rolan Bell to sign my sketch. Not that Rolan was aware of my toils. He’s just completed the year long run as the underground nightclub manager Delray Farrell in the Broadway transfer of the hit musical MEMPHIS at London’s Shaftesbury Theatre. It’s a venue that I got to be familiar with over the final weeks, well it’s stage door that is. Rolan did pretty well in the role, earning an Olivier Award nomination. I didn’t do well and kept missing him, going in or coming out. One time he was having a day off.  In this busines these things happen. I finally, on the last day resorted to leaving the drawing with a note and SAE at the now familiar, almost a family member stage door. That worked!
If you want to catch Rolan. he’s in the Christmas Show RAPUNZEL at the Park Theatre over the Festive season.

Drawing: Clive Owen, Eve Best and Kelly Reilly in Old Times

Old Times

Packages arriving, addressed in my handwriting always exit me, especially in the plural. Yesterday it was the singular, but I was excited none-the-less.  It had a US stamp, meaning one of my drawings sent to Broadway had come back….hopefully signed. Indeed it was and a real doozy-my Old Times sketch signs by all three British cast members, Clive Owen, Eve Best and Kelly Reilly. I’m not sure of the etymology of ‘doozy’. I think it can be ‘good’ and ‘bad’. This sums up autograph collecting via the mail. Somedays are great and somedays, not so great. The main meaning is it’s ‘big’ and ‘memorable.’

The Harold Pinter three-hander about the battle for sexual dominance is having it’s Broadway revival at the American Airlines Theatre, directed by fellow Brit and Tony-winner Douglas Hodge to both critical and commercial acclaim. Clive and Kelly were making their debuts on ‘The Great White Way’ and now, also on my theatre sketches. I have had the privilege of seeing Eve on the London stage and  she has signed for me, so the Olivier Award-winner was my point of contact. Like her performances her thoughtfulness is top drawer.

Drawing: Tanya Moodie in Joanne

Tanya Moodie

Olivier-nominated, Canadian-born British actress Tanya Moodie has just completed her solo run in Joanne at London’s Soho Theatre.

Joanne is never seen. She is defined by her absence and elusiveness, existing through the eyes of others, “the sort of troubled, slippery needy person it’s all too easy to ignore”.

Stella, Grace, Alice, Kath and Becky are four characters who come into contact with Joanne during the crucial 24 hour period after her release from prison plus a teacher who remembers the wrong decisions her pupil made.

Five monologues from five different dramatists – Deborah Bruce, Theresa Ikoko, Laura Lomas, Chino Odimba and Ursula Rani – with Tanya performing all roles in a powerful one hour production, commissioned by Clean Break who have, for 36 years been doing important work with women in prisons and at risk.

Critics are unanimous in their response. The Independent’s Paul Taylor summed up the reviews, “Tanya Moodie is terrific in this powerful collaboration”.

Tanya was very generous with her compliments about my drawing. She tweeted it, thanking me and returned it with a kind note. From time to time I receive thank you notes, which is not expected, but always gratefully received. One of the main reasons for doing this blog is to share with others. Many would ask “can we see more of your work” and this the best medium to do just that!

Tanya Moodie Postcard

Drawing: Bill Bryson

Bill Bryson

My wife Frankie is a big fan of Bill Bryson’s books. She casually mentioned to me sometime ago that if our paths ever crossed, a signed sketch would be nice. Her first request. I did this drawing and filed it away in case our paths crossed.

A casual text this week let me know that the paths could cross yesterday – 5 November – when the UK’s highest selling author of non-fiction would be signing copies of the sequel to his hugely popular book Notes From Small Island.I did not acknowledge the text, but did hatch a plan. A quick search confirmed that indeed Bill would be signing at Stanfords in Central London. The 5th of November also happens to be our wedding anniversary, a good reason to fulfil Frankie’s request.

Born in the US, Bill has spent a large amount of his life living in the UK and was eligible to become a British Citizen many years ago but didn’t sit the citizenship exam because he “was too cowardly to take it.” He eventually plucked up enough courage and recently passed to become a dual-citizen. He even wrote about it in his latest publication The Road To Little Dribbling: More Notes from A Small Island, the very book he was signing and the very reason I went to the famous Long Acre Street bookstore for our paths to meet.

Besides we now had something in common, writing wise. We both wrote enough right answers in our citizenship tests. That’s where the similarity and writing comparison ends. I’ll stick to sketching… oh and reading Bill Bryson.

Bill looks like a really nice fellow, and I’m pleased to say he’s even better in real life. He loved the sketch, which I said was part of my anniversary celebrations, and signed for the both of us. Frankie knew something was up, because I never acknowledged her text so she thought I was on a secret mission to surprise her. There’s no fooling Frankie, but there are ways to remember, remember the 5th of November.

Drawing: Laura Rogers and Sally Messham in Tipping The Velvet

Tipping The Velvet

The Dictionary of Vulgar Tongue is not a reference source I turn to often, especially the original 1811 edition. In fact, this is my first foray into such an esteemed piece of literature. I did so to look up the meaning, via google, since I don’t happen to own a copy, of the term, ‘Tipping the velvet’. It’s a Victorian euphemism for ‘cunnilingus’, oral sex in layman’s terms. It’s also the title for Sara Waters’ audacious bestselling debut novel, which became a TV series and now a new stage adaption by Laura Wade.

Directed by Lyndsey Turner, Tipping The Velvet completed it’s World Premiere at London’s Lyric Hammersmith theatre this month and is currently at the Lyceum in Edinburgh as part of the theatre’s 50th Anniversary season. The ‘Tipping’ tale is a Victorian coming of age story, when young Kentish girl and theatre-obsessed Nancy Astley falls in love with male impersonator Kitty Butler and follows her to London, “where unimaginable adventures await.” The lovers become a fully-trousered double-act in the West End, but as the narrator suggests, “you might not get the ending you paid for…but you’ll leave grossly entertained nevertheless.” Needless to say the publicity material does have the warning, ‘This show contains scenes of a sexual nature.’

Making her professional debut in the role of the ‘giddy with desire and hungry for experience’ Nan is Sally Messham and Laura Rogers plays Kitty. Both received critical plaudits and both kindly signed and returned my sketch, which contains a scene of an about to happen sexual nature.