Viennese director and screenwriter Jessica Hausner attended last year’s BFI London Film Festival to support her latest film LITTLE JOE. She has been described as one of the most inventive and surprising auteurs in the Austrian arthouse scene.
In her intro on Jessica for the BFI website, Carmen Grey acknowledges through the work of Michael Haneke and Ulrich Seidl that we have come to expect from Austrian cinema, a perverse delight in revealing the darker impulses underneath the veneer of civilised society. Carmen writes that Jessica “leans towards that tendency, but is less interested in limit-transgressing provocation than in nudging audiences into a zone of radical uncertainty. Hausner’s are female-centred films of ideas and philosophical experimentation.”
She gained international attention in 2001, when her first feature, LOVELY RITA, a portrait of a young girl confined by family constraints, was selected for the ‘Un Certain Regard’ section at the Cannes Film Festival. Translated as ‘From another angle’, it is the prestigious French festival’s official selection of 20 films with unusual styles and non-traditional stories.
Jessica’s 2019 feature LITTLE JOE has been described as a “floral Frankenstein horror.”
It was in the official selection for the Palme d’Or at last year’s Cannes Film Festival, where English-American actor Emily Beecham won the Best Actress Award for her portrayal of Alice Woodward, a floral breeder and single mother who creates a unique plant she calls ‘Little Joe’, after her son.
The BFI hosted ‘The Cinema of Jessica Hausner Retrospective’ from 21-29 February this year which Jessica attended. She signed this sketch when she arrived to participate in an ‘In Conversation’ event on the opening day.