Colin Farrell signed my sketch at the Total Recall premiere in Leicester Square, London.
Colin is always very friendly and loved the drawing, chatting with me as he signed it – one of the nicest film stars.
It’s April – not that the weather’s come to the party, as it continued to chuck down the white stuff…. but, as they say ‘there’s no business like snow business.’
Appropriately, a white carpet (or maybe originally it was red!) awaited Tom Cruise, Olga Kurylenko and director Joseph Kosinski for the UK premiere of the Sci Fi saga Oblivion at the BFI IMAX near London’s Waterloo station.
One of the highest paid and most sought-after actors in screen history, Tom Cruise, has played a bartender, soldier, pilot, special agent, samurai, contract killer, senator, magazine owner, lawyer, sports agent, student, vampire, race-car driver and pool player can now add one of the few remaining drone repairmen assigned to an Earth devastated by decades of war with the alien Scavs.
One forecast was guaranteed, whatever the weather, Thomas Cruise Mapother IV would not disappoint his frozen fans. Thankfully, he shortened his moniker, or it would be Summer before he finished signing. Unlike many of his contemporaries, Tom doesn’t rush. He always arrives early, completes media commitments, and then spends as much time as it takes ‘signing the line’ (that’s graphers lingo for everyone).
The planet’s biggest star is also its biggest signer. An interesting fact: he’s actually left handed but signs with his right hand. He has been known to spend up to 3 hours signing siggies and posing for pics prior to screenings. That’s quality and quantity, but then he’s good with numbers. Each one of his three wives have been 11 years younger than the previous one. And they were all 33 when the marriages ended. So maybe he’s more of a numerologist than a Scientologist.
By the time he got to me which was around half an hour after he started down Sharpie street, he must have signed nigh on 100 ‘graphs. When he saw my sketch he was really pleased with it and we had a brief chat and he signed and dedicated it. Mission: Acccomplished
I’m sure being inside the head of American actor, writer, director, producer and fashion designer John Malkovich would be a fascinating, if not a disturbing space to be. I would settle to be in a space beside him for as long as it took him to sign and dedicate my sketch. That space happened to be The Barbican in central London on a Saturday in mid-June 2011. Like his imagined persona, JM can offer a variety of responses to graph – both auto and photo – requests. One thing I did find out from the zombies, who were circling the foyer in numbers, Mr Malkovich walks in the front door – no sneaking in side entrances for him. His signature used to be recognisable in the early ’90’s – all letters formed in the conventional manner as per the English alphabet, spelling out his name. Now it looks more like the print out from a cardiograph machine.
John Gavin Malkovich has appeared in over 70 motion pictures, spanning a 30 year career. He’s also directed and produced a few and written a screenplay. To complete his Renaissance-man image he set up his own fashion company, ‘Mrs Mudd’ in 2002. Among other things it includes the John Malkovich Menswear Collection called ‘Uncle Kimono’ and he designs the clothing himself.
He was hopefully entering the front door of The Barbican that Saturday afternoon in mid-June to take part in a Q&A following a screening of DANGEROUS LIAISONS . He was also performing a two-day season of the unusual one-man play, THE INFERNAL COMEDY, playing the role of the notorious Austrian serial killer-Jack Unterweger. It was a solo acting part… along with a baroque orchestra and two sopranos, singing arias about murder and abandonment. Not one of your cheeriest days in theatre. So, would he be in character-method acting? Pretty hard to get a graph from a serial killer…without some fatal injury.
As it turned out, Mr M was already in the building, possibly using a side door and was wandering around the foyer, talking on his cell phone… followed by a line of autograph hunters. It resembled the Pied Piper. I decided to remain in one spot and watch the carnival, which eventually came past me.. and stopped… because the prey stopped. He saw my sketch, completed his call and asked me if I wanted it signed by him – a novel reversal to the norm. He did so with his cardiogram sig and dedicated it, as well as signing a BEING JOHN MALKOVICH film poster. Then his phone rang and he popped back on it and the procession started all over again around the Barbican foyer on that bright Saturday afternoon in mid-June.
Hollywood film noir legend Robert Mitchum spent some time in my home town of Invercargill, New Zealand in 1988. He was filming the TV spy-thriller, THE BROTHERHOOD OF THE ROSE, directed by triple Emmy winner, Marvin J Chomsky. I was fortunate to be able to spend a few days on set to write some feature articles for The Southland Times NIE pages.
Critics called Mitchum one of the finest actors of the Golden Age of Hollywood. One stated that he was an “underrated American leading man of enormous ability who sublimates his talents beneath an air of disinterest.” He was more modest. In a BBC interview he said,”Look, I have two kinds of acting. One on a horse and one off a horse.”He used to annoy fellow actors saying the profession wasn’t challenging or hard work. “You turn up on time, you learn your lines, you hit your marks, you go home.” The American Film Institute listed him as the 23rd greatest actor in American Cinema – an accolade he ignored, saying, “Movies bore me, especially my own.”
His distinctive features included his sleepy, indifferent eyes. One of his nicknames was in fact, ‘old, rumple eyes’. They were a result of boxing injuries, chronic insomnia and lots of drinking alcohol. I did a quick sketch on set, emphasising them. I think the actual day was 8.8.88. He laughed when he saw it and signed it with a question mark.
“I started out to be a sex fiend, but couldn’t pass the physical”, he once said.
Robert died on 1 July,1997 from lung cancer.
In a galaxy far, far away… actually, in 1994, I drew a quick caricature of Sir Alec Guinness. In the absence of a stage door to stand at or a reliable agent’s address, I found out that he was a member of The Garrick Club, Charing Cross Road in London. I was in the city at the time, so I made a couple of copies, wrote a note and left it with a stamped self addressed envelope before heading back to New Zealand.
This month I read that the British Library had recently bought 1000 letters and 100 volumes of his hand written diaries from his family for £320,000. The archive will go on display next year.
Catherine Ostler in the Daily Mail wrote: “To some fans, Sir Alec Guinness will always be remembered as Obi Wan Kenobi, the sagacious Jedi Knight of the Star Wars films. To others, he is The Bridge On The River Kwai’s resolute but misguided Colonel Nicholson.
These and other brilliant performances — in Ealing comedies, Lawrence Of Arabia, Dr Zhivago and TV’s Tinker, Tailor, Soldier, Spy — should surely have left him secure in the knowledge that he stood at the pinnacle of his profession. Yet his private writings, previously unseen by the public, reveal this titan of the screen and stage to have been a flawed, insecure man who found release in petty malice.”
Nobody escaped his barbed comments, from the Queen down. Even the great Sir Laurence Olivier. For more than half a century they shared the accolades as the greatest actors of their generation, but behind the scenes a poisonous rivalry existed. He called his fellow thespian “cruel, unpleasant, destructive and pretentious.” He did, however, balance that by praising Lord Larry as a “total actor – technically brilliant.”
It is common knowledge he disliked the Star Wars trilogy and would throw away fanmail associated with it. he called it “fairy-tale rubbish”. In spite of an Academy Award and Golden Globe nomination for his role, the theatrical knight wanted the Jedi Knight killed off and convinced George Lucas that it would make the character stronger (and he wouldn’t have to go on speaking that bloody awful, excruciating, banal dialogue, he confided).
The Star Wars films did, however, provide an income for the rest of his life. While he hated the films, he was shrewd enough to realise that the public wouldn’t, so struck a deal for 2% of the gross royalties, along with his initial salary. The franchise went on to become one of the most successful ever. He later said, “I have no complaints, I can live the rest of my life in the reasonably modest way I am now used to and I can afford to refuse work that doesn’t appeal to me.”
One person who he did like, and who sympathised with him was co-star Harrison Ford. Apparently, he said to the director, “George, you can type this shit, but you can’t say it!”
There was no doubt Sir Alec was a complex man – a shy introvert who shone on stage and screen. Melvyn Bragg said he was the weirdest, strangest person he’d ever interviewed. But, back in 1994 he signed my drawing and added some self-mockery. Six years later he passed away,aged 86. I wonder if I’m mentioned in his diary dispatches. A visit to the British Library next year could be worth it. The force (and the graph) is indeed with me, always.
Robert Powell was a guest speaker at the Art in Marylebone exhibition in London in 2010. An excellent opportunity to listen to ‘Jesus’ (his most famous role) mingle with the followers and philistines, collect a ‘graph and have a vino or three.
Robert had a distinguished TV career with forays into film including the title role in Ken Russell’s Mahler (1974) and Captain Walker in Tommy (1975). As Tommy’s father, he had no lines and appeared mostly in dream sequences. In one such sequence he is seen in a crucifixion pose, a rehearsal for his role as Christ in Jesus of Nazareth (1977) which immediately followed. It was directed by the legendary Franco Zeffirelli as a two part TV film and co-starred Laurence Olivier, Christopher Plummer, Rod Steiger and James Mason. Robert received a BAFTA nomination for his performance. He also spent some time in New Zealand filming Chunuk Bair, based on Maurice Shadbolt’s play about the Wellington Regiment taking and holding Chunuk Bair hill on the Gallipoli peninsula during WWI. He played the lead role, Sgt Maj Frank Smith.
I spoke with Robert after his speech about the film. In 1990 I played ‘Scruffy’ in Jonathan Tucker’s moving production of Once on Chunuk Bair, for Invercargill Repertory, my first role for the society and it still remains my favourite. I had drawn a quick sketch of him as Jesus and he was happy to sign it. As there was still plenty of wine, he wasn’t required to perform any miracle.
The Moêt British Independent Film Awards were held at the Old Billingsgate Fish Market in the Shadow of Tower Bridge in December 2010. This time I was on the other side, covering the event for the Irish World – always awkward asking for ‘graphs when you’re interviewing the stars and supping on the sponsor’s product!
However, Martin is one of us: normal, nice and no expletives deleted. I had a couple of sketches on me from his role in the award winning Royal Court play Clybourne Park.
As a member of the forth estate one has to remain professional at all times… so I politely showed Martin the sketches and and said I could send them to his agent. He said “I’ll save you the stamps,” and we had a brief chat about his upcoming trip to Middle Earth (New Zealand) to play Bilbo Baggins in Peter Jackson‘s Hobbit.
As I write this, I discover that Martin has just won the Best Actor perspex trophy at the Empire Film Awards across town at the Grosvenor Hotel, for his Hobbit role, beating Lincoln and James Bond (Daniel Day Lewis and Daniel Craig).
Hugh was notoriously hard to get an autograph from. A few German collectors tore up their glossy 8×10″ photos in disgust when he didn’t sign for them.
He was going in to do a soundcheck at the London Union Chapel in 2011 when he signed for me. His PA was trying to drag him away, but he really liked my drawing!