Dominic Dromgoole’s ‘compassionate and emotionally engaging’ production of A WOMAN OF NO IMPORTANCE launched a year-long season of Oscar Wilde at London’s Vaudeville Theatre late last year.
The outstanding cast was lead by Eve Best, Anne Reid and Eleanor Bron, who played Mrs Arbuthnot and Ladies Hunstanton and Pontefract respectively. The Irish playwright’s 1983 society play examines the hypocrisy of Victorian society in which woman are shamed and stigmatised for their sexual conduct and men do as they please.
I met Eve, Anne and Eleanor at the stage door, where they signed this montage, arriving for the Saturday matinee a week before the production completed its run on 30 December.
Venezuelan pianist Gabriela Montero returned to London over the festive season with a lunchtime recital at Wigmore Hall.
“Whether she’s hurling ferocious social-media rebukes at the government of her native Venezuela or contouring fiery interpretations on the ivories, Gabriela Montero is never dull. You don’t come out of her recitals thinking, as you do with many modern pianists, ‘Amazing technique. Where’s the charisma?’ She had second helpings when the plates of personality were handed out,” wrote the Time critic Richard Morrison in his review intro.
Apart from her classical repertoire, Gabriela is also known for her real-time improvisation of complex musical pieces based on themes suggested by her audience. She signed this sketch for me before her recital at Wigmore Hall.
Multi-award winning English actress, Emma Fielding was part of an impressive ensemble in Oscar Wilde’s A WOMAN OF NO IMPORTANCE, which completed its run on Saturday after kicking-off the Oscar Wilde Season at London’s Vaudeville Theatre over the festive period. She played Mrs Allonby, who delivers a brilliant monologue about what makes an ideal man in a venue that is tailor-made for the production. “It’s the type of theatre the play’s written for with the traditional proscenium arch,” she said in a recent interview. I caught up with Emma and the cast arriving for a Saturday matinee a couple of weeks ago where she signed my sketch.
Britain’s superstar conductor Sir Simon Rattle returned to his homeland in September, after fifteen years leading the Berliner Philharmoniker to take up the Musical Directorship of the London Symphony Orchestra and Artist-In-Residence at the Barbican and the Guildhall School of Music and Drama. To mark his inaugural season the LSO presented a 10-day celebratory Festival THIS IS RATTLE. Guardian critic Andrew Clements said it was an ‘auspicious start to LSO’s new era of Simon Rattle,’ awarding the opening concert five-stars. I dropped off this sketch at the Orchestra’s HQ on the 6th floor in the Barbican last month and he kindly signed and returned it for me.
In the immortal words of Scrooge, “A merry Christmas to every-body! A happy new year to all the world! Whoop!”
What better time to post this sketch of the wonderful Welsh actor Rhys Ifans as one of Charles Dickens’ most memorable characters in the Old Vic production of A CHRISTMAS CAROL in London. It’s the ultimate redemption story, the cold-hearted miser who despises the festive season, until the Christmas Spirits fill him with love and joy.
We saw the excellent production a couple of weeks ago and Rhys signed this drawing for me yesterday at the stage door.
After its 2015 Broadway premiere Simon Stephens’ new two-hander HEISENBERG:THE UNCERTAINTY PRINCIPLE has arrived in the West End at the Wyndham’s Theatre. Directed by Marianne Elliot, it is the debut show for her new company Elliot and Harper and stars Anne-Marie Duff and Kenneth Cranham. It’s an 80 minute study of a mismatched couple, riffing on life, love and everything in between. Anne-Marie is Georgie, an American school receptionist in her forties, who jokes she’s an assassin and Kenneth plays Alex, a seventy year old butcher who’s used to being self contained. Both signed my drawing after last Saturday’s evening performance.
Margaret Cho is one of America’s most politically outspoken and savage standup comedians. In his Guardian preview before she embarked on her just completed UK Tour ‘FRESH OFF THE BLOAT’, Rob Walker wrote, “If you have never heard of Margaret Cho, think of the caustic, crude comedy of Joan Rivers, the politically-charged jibes of Bill Hicks and the quick-witted improvisation of Robin Williams – all rolled onto one but with a feisty Korean twist.”
The five-time Grammy and Emmy nominated actor, author and singer-songwriter is a household name in the US. Earlier this year Rolling Stone magazine named her as one of the 50 Best Standup Comics of all time. Openly bisexual, Margaret’s famous for her brazen take on sex and politics. She is also a regular on the small screen, playing the rebellious daughter in a traditional Korean-American household, ALL AMERICAN GIRL and as Teri Lee in DROP DEAD DIVA. She has also appeared in a number of films, including John Travolta’s FBI colleague in FACE/OFF.
Margaret’s last gig on the tour was at the O2 Shepherd’s Bush Empire on Sunday 10 December. The previous day I popped by to drop off a drawing, but it was completely shut, so I fired the enveloped sketch under the stage door and hoped for the best. It arrived back, signed, in the mail on Saturday.
Christian Slater has returned to the London stage in David Mamet’s Pulitzer Prize winning study of real estate sharks, GLENGARRY GLEN ROSS at the Playhouse Theatre. He plays the cut-throat ‘schmoozer’ Ricky Roma, the ‘salesmen’s salesman’ to great acclaim. Christian signed an earlier drawing I did of him in the 2006 London production of ONE FLEW OVER THE CUCKOO’S NEST a few weeks ago and this one as Roma after last Saturday’s evening performance at the Playhouse stage door.
The musical version of Mel Brooks’ hit 1974 monster comedy film YOUNG FRANKENSTEIN is proving very popular in the West End this festive season. Featuring in the title role as Dr.Frederick Frankenstein is Hadley Fraser and his buxom assisant Inga played by Summer Strallen. Both signed this sketch for me a couple of weeks ago at the Garrick Theatre’s stage door.
Often called the ‘First Lady of British Musical Theatre’, Elaine Paige returned to the London stage this month as Queen Rat in the pantomime DICK WHITTINGTON at the London Palladium.
After making her West End debut in 1968 as one of the Tribe in HAIR, she won the Olivier Award ten years later for her acclaimed portrayal of Eva Peron in Andrew Lloyd Webber’s EVITA. In 1981 Elaine originated the role of one-time glamour puss Grizabella in Sir Andrew’s CATS. Her song ‘Memory’ became a top 10 hit. She followed that with Florence in CHESS and Edith Piaf in PIAF. After playing Norma Desmond in SUNSET BOULEVARD at London’s Adelphi Theatre, Elaine reprised the role for her Broadway debut in 1996.
I drew this CATS, PIAF, EVITA montage of Elaine and tried on a number of occasions to catch her at the BBC Radio 2 studios, where she records her weekly ELAINE PAIGE ON SUNDAY show, but kept missing her. So I waited at the Palladium’s stage door on Saturday – a plan that proved much more successful, as she arrived for the first matinee.