Sketch: Clare Higgins and Greg Hicks in Clarion at the Arcola Theatre

Clare Higgins and Greg Hicks

Multi-award winning actress Clare Higgins recently returned from her completed Broadway run of A Delicate Balance to star in the world premiere of former journo Mark Jagasia’s debut play Clarion for a five week run at the Arcola Theatre in East London.

Clare starred with fellow National Theatre veteran actor Greg Hicks in Arcola Artistic Director Mehmet Ergen’s lively production.

It’s a dark comedy about British media, set in the offices of Britain’s worst newspaper, The Daily Clarion, a toxic tabloid that specialises in sustained anti-immigrant rhetoric.

Greg plays the Clarion’s egomaniacal editor Morris Honeyspoon who spends his weekends dressed as Julius Caesar and Clare is washed up foreign correspondent Verity Stokes, a Fleet Street legend who is, as Michael Billington describes, “less well-preserved than constantly pickled”. He writes, “Jagasia has created a genuine modern monster scorchingly embodied by Hicks”.

Clare said in an interview for The Evening Standard, “it’s a necessary play. It describes what is going on in the underbelly of the pages we flip through every morning. Not only did it make me laugh, it made me think.”

The Arcola Theatre is a studio theatre in Dalston, in the London borough of Hackney. It features two studios seating up to 240 and two rehearsal rooms. It describes itself as “locally engaged and internationally minded” staging a diverse programme of plays, operas and musicals. It also runs a number of community arts activities, including youth drama and a writers programme. TimeOut call it “an undisputed powerhouse,” and the Stage said “the Arcola is one of the great success stories of British theatre” and what’s more their extremely friendly and helpful staff passed my sketch on to Clare and Greg to sign for me.

Sketch: Rory Kinnear and Clare Higgins in Hamlet

Hamlet Clare Higgins Rory Kinnear

Rory Kinnear’s portrayal of Hamlet in the 2010 production at The National Theatre is considered by many of the theatrical great and good to be a generation defining portrayal of the Great Dane. It was the National’s former artistic director Nicholas Hytner’s first time directing Shakespeare’s most famous play. His Denmark is a modern dress production set in a surveillance state.

The Independent’s David Lister called it , “a chilling production that demanded to be seen”. He said, “A great Hamlet is not only a Hamlet of this time, it can be a Hamlet that defines his time”.

“Kinnear shows a Hamlet whose depression can be seen in fits of unwarranted aggression, withdrawal, manic high pitched laughter, intense unhappiness or simply desperate attempts to make sense of anything “. He won the 2010 Evening Standard Sward for his portrayal. He was praised for a his, “bold reinvention of the Dane”.

Lister makes special mention of Clare Higgins, “revelatory Gertrude… predicatably, the marvellous actress redefines the role. Gone is the weak, lovestruck pliable and guilt ridden mother and wife. This is more realistically a woman who will have a drink when it suits her, is more than capable of barking out orders herself and knows exactly what she wants out of life”.

Not always an easy place to catch cast members, given the many exits available at the National Theatre, I was very fortunate to catch both Rory and Clare who loved the sketch and were more than happy to ‘graph it for me.

Drawing: Clare Higgins in The Fever at The Royal Court Theatre

Claire HigginsClare Higgins is one of Britain’s great stage actresses, winning three Olivier Awards.

This sketch is from her role in Wallace Shawn’s The Fever at the Royal Court Theatre in the Spring of 2009. She signed it for me at the National Theatre stage door in early 2011 where she was playing Gertrude, “a dipsomaniac in four inch heels” opposite Rory Kinnear‘s Hamlet.

Clare returns to the London stage as a recovering alcoholic in Jon Robin Baitz’s Other Desert Cities with Sinead Cusack which is currently in previews at the Old Vic