It took a few attempts to override spellcheck’s efforts to correct my typing of ‘Shakespears Sister’, but I prevailed, enhanching my skills as a serial misspeller. The group’s name was taken from The Smith’s song ‘Shakespeare’s Sister’, which was based on a 1928 Virginia Woolf essay and lecture. Delving further, it was apparently misspelt – dropping the final ‘e’ – in a woodcut artwork for the group’s first single sleeve. The apostrophe ‘subsequently surrendered to pop music.’
Anyway, after that rambling intro and a 26 year gap, Shakespears Sister reunited and played at the London Palladium last November as part of the ‘Ride Again Tour’ tour to support their compilation album ‘Singles Party’ and EP ‘Ride Again’. Formed in 1988, initially as a solo act by Irish singer-songwriter and former member of Bananarama, Siobhan Fahey, Shakespears Sister became a duet a year later when Siobhan was joined by American musician Marcella Detroit. Success and accolades followed with two Top 10 albums and a string of hits, including ‘Stay’ which, true to its meaning, stayed at No 1 on the singles chart for eight weeks, winning a 1992 Brit Award for Video of the Year. It also reached the Top 5 in the US. Their second studio album ‘Hormonally Yours’ achieved double platinum in the UK, spending 55 weeks on the charts with three Top 20 singles. It received the 1993 Ivor Novello Award. In May 2019 the duo performed ‘Stay’ on the Graham Norton Show, their first TV performance since 1993.
Siobhan and Marcella both kindly signed my sketch at the London Palladium after their 5 November performance.