The ‘intoxicating Tudor take-off’, SIX THE MUSICAL by Toby Marlow and Lucy Moss tells the tales of Henry VIII’s six wives, from their perspective, transforming from Queens to pop princesses, remixing five hundred years of her-storical heartbreak. It’s promoted as ‘a 75 minute celebration of sisterly sassitude.’ After an earlier, limited West End run, followed by a brief UK tour, then a month long sell-out residency at the Edinburgh Fringe Festival, SIX returned to London’s Arts Theatre for an extended season.
Writing in The Times, Ann Treneman said “I predict a hit” and she was right. The soundtrack album passed two million streams a week ago and the production has been nominated for four Broadway World UK Awards, including Best Ensemble to start the theatre gongs season. “The grand surprise, though is just how gloriously-persuasively-coherent, confident and inventive the whole thing is. The upfront (feminist) thesis is to take us beyond the rudiments of that kindergarten mnemonic, Divorced, beheaded, died, divorced, beheaded, survived,” wrote Dominic Cavendish in his four-star review for the Telegraph.
The slick, kick-ass girl band members, Jarneia Richard-Noel (Catherine of Aragon), Millie O’Connell (Anne Boleyn), Natalie Paris (Jane Seymour), Alexia McIntosh (Anne of Cleves), Aimee Atkinson (Catherine Howard) and Maiya Quansah-Breed (Catherine Parr) perform a diverse range of musical genres from pop to hip-hop, including some R&B in an unsisterly competition, where each sing a song to prove they are the biggest victim.
All six signed my head sketches in the final week at the Arts Theatre, before embarking on another UK tour, returning to the London venue early next year.