Mike Bartlett’s play imagines what might happen if the Queen dies and the Prince of Wales becomes King, written mostly in blank verse.
Charles Spencer in The Telegraph describes it as the “most spectacular, gripping and wickedly entertaining piece of ‘lese-majeste’ that British theatre has ever seen.”
Nicholas plays the wily and deeply devious Leader of the Opposition who suggests to Charles that he refuse his Royal consent to a privacy law imposing restrictions on the media.
Since he came to prominence as a nineteen year old in Steven Spielberg’s production of YOUNG SHERLOCK HOLMES, Nicholas has carved out a versatile career on both stage and screen, including LOCK,STOCK AND TWO SMOKING BARRELS, DA VINCI’S DEMONS, MIDSOMER MURDERS, HOTEL BABYLON and HAMLET.
I was waiting at the Wyndham’s stage door which is located on a very busy alley-way, next to the Leicester Square tube station. It was the first saturday of the new year, approaching 2 pm, so the pre-matinée rush was on. However it was easy to pick Nicholas out from the crowd because of his height and distinctive looks and the fact he was casually strolling towards the stage door, albeit slowly as he stopped to chat to people. He was very friendly as we discussed all manner of things from politics to future projects as he happily signed my sketch before heading in to do his bit for the constitutional crisis.