Hattie Morahan’s performance as Nora Helmer in Henrik Ibsen’s A Doll’s House has been receiving rave reviews. The 1879 play’s critical attitude toward 19th century marriage norms courted controversy at the time. Hattie’s character is a mother of three, living as the ideal 19th century wife, but leaves her family in the end.
In 2006 it held the distinction of being the world’s most performed play. UNESCO’s ‘Memory of the World Programme’ was instigated in 1992 to safeguard the documentary heritage of humanity, calling for the preservation of valuable archival material. It has inscribed Ibsen’s autographed manuscripts of A Doll’s House in recognition of their historical value.
A new version, adapted by Simon Stephens and directed by Carrie Cracknell, opened at London’s Young Vic Theatre in June 2012 with Hattie playing opposite Dominic Rowan. She won both the Evening Standard and Critic’s Circle Awards for her performance and was nominated for an Olivier Award.
The production transferred to the Duke of York’s Theatre this month for a limited season, where Hattie signed my sketch after Tuesday’s evening performance and Q&A session.