French playwrighting phenomenon Florian Zeller’s frightening tale of teen depression, THE SON made its UK debut at London’s Kiln Theatre in February with a sold-out run before transferring to the Duke of York’s in the West End for a ten-week season. Directed by Michael Longhurst and translated by Christopher Hampton this “immaculate production” (The Guardian’s Michael Billington) completes the French writer’s trilogy of plays; THE FATHER, focused on aged dementia and THE MOTHER on middle-aged psychosis.
THE SON is “the most powerful of all,” according to Ann Treneman in her five-star review in The Times, “superbly acted with a rhythm that keeps you on the edge of your seat.”
After skipping school and self-harming, 17 year-old Nicolas (Laurie Kynaston) moves out of his mother (Amanda Abbington) Anne’s house to live with his father Pierre (John Light) and Pierre’s lover Sofia (Amaka Okafor) and their new baby. In his Evening Standard review, Nick Curtis called the play an “unnerving and beautifully sensitive drama… a lacerating examination of the effect of a son’s mental illness has on his divorced parents.”
The four cast members signed my drawing at the theatre a few weeks ago as they arrived for a Saturday matinee.