After his critically acclaimed debut feature MEDICINE FOR THE MELANCHOLY in 2008, American director and writer Barry Jenkins took an eight year hiatus from feature filmmaking, working as a carpenter and co-founding an advertising agency ‘Strike Anywhere’. The 39-year-old’s return to the feature film fold was meteoric with the LGBT coming-of-age triptych MOONLIGHT, described by Vanity Fair as “an aching drama of identity that captivated film lovers in 2016.” The script was written by Barry and Tarell Alvin McCraney, based on Tarell’s unpublished play.
Both won the Oscar for Best Adapted Screenplay and it eventually won Best Picture at the 89th Academy Awards after a dramatic few minutes when LA LA LAND was initially announced. Barry was also nominated for Best Director and is only the second black person to direct a Best Picture winner, after Steve McQueen won for 12 YEARS A SLAVE three years earlier. MOONLIGHT also won the Golden Globe for Best Motion Picture – DRAMA.
Barry is once again in the awards spotlight as we head into the season’s final month. His latest film IF BEALE STREET COULD TALK, based on James Baldwin’s novel of the same name is included in both the BAFTA and Oscar nom list with Barry once again being honoured for his writing. He has already collected the National Board of Review and Critics’ Choice awards and was nominated for a Golden Globe.
I was lucky enough to meet Barry after a Gala Screening of IF BEALE STREET COULD TALK at the BFI London Film Festival’s Embankment Cinema last October. When I asked him to sign my drawing, he warned me that his handwriting was the worst in the world and didn’t want to ruin my artwork, so he used the space under the sketch. I think you’ll agree he was a tad modest. His hand and screen writing skills are just right.