It’s the BFI London Film Festival time, signalling the start of the British Monsoon Season. 248 films, 17 venues, 12 days, 1 Festival, 600mm of rain!
Was I keen to attempt to get Reese Witherspoon’s ‘graph through the drops? Would it, in fact, even be possible? I umm-ed and ahhh-ed, watching the continuous rain come down. You can check out the live feed from a camera on the Radisson Hotel. The lens was covered in water so I couldn’t tell if the pens were full of people yet.
Did the sketch in a few minutes, thinking I would pull pin on the pursuit. Had a granny nap, woke up at 5 past 5, went on auto-pilot and found myself on the train and in Leicester Square at six for a 7.15pm film start. Ultra late, but in luck. A spot was available right near the drop off point.
As the rain got heavier I quickly prepared plastic protection for the sketch. Reese’s car arrived moments later and she was on the right side – brilliant timing and positioning. She popped out, came straight over, thanked us all for coming out in this weather and said, “Oh, what a lovely drawing,” and signed and dedicated it with minimal damage from the weather before moving on to do media.